So, as in real estate, location, location, location. The less moving you do, the more shooting you’re able to do… and when you’re shooting a lot, that momentum helps your actors give better performances. I used this approach for both of my movies. We found a fantastic world for our film in and around Guthrie, Oklahoma, which allowed Adriana Serrano and her production design team more time and resources to focus on elevating the look of the film. Cast our locations as thoughtfully as we cast our actors. Instead, we had the actors age subtly over the two time periods in our story.Ĥ. For example, we compressed a 20-year time period into an economical 10, allowing us to eliminate the issue of double-casting our leads. Took creative license with the story when necessary. Contents: Top 09 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A Aaron ( Chad Brannon, 2009) Abigail ( Ivy Bethune, 1 1987) Sarah Abbott ( Eileen Dietz, 2 198183) Roommate to Heather Webber in the Forest Hill Sanitarium. Thanks to the great state of Oklahoma, we ended up spending only two-thirds of every dollar needed to make our movie.ģ. This is a list of characters that have appeared or been mentioned on the American ABC soap opera General Hospital. (In the “boring but true” category) Found a big, fat tax rebate. We were fortunate to surround her with a tremendous ensemble who delivered unique, compelling performances: the brilliant Maggie Grace, Brad Carter, Will Patton, Mark Webber, Justin Chatwin, Logan Miller, Bonnie Bedelia, Kassia Conway, Aaron Poole, Sarah Noble Peck and Meg Crosbie.Ģ. We found our equivalent in Maika Monroe (of It Follows fame), and I believe her performance echoes those past screen legends. A film with great characters, profound circumstances, cinematic environments and a wonderful role for a powerful movie-star ingénue, in the vein of Natalie Wood in Splendor in the Grass or Elizabeth Taylor in A Place in the Sun. They shared with me their screenplay for The Scent of Rain & Lightning, a “Midwestern American gothic noir” story-the kind of script that George Stevens, Elia Kazan, John Ford and the studios of yesteryear would’ve been falling over themselves to get their hands on. Verse 1 We should collab (Thats so L.A.) Im getting into crystals (Thats so L.A.) Have you tried Ayahuasca (Thats so L.A.) You don’t have an agent (That’s so L.A., hehe) Dont forget to tag. Turns out, we not only got along, but we were like-minded creatively on the whys and the hows of making films outside the studio system. It all started when writer-producers Casey Twenter and Jeff Robison ( Rudderless) saw my first film, The Sublime and Beautiful, when Casey was a jury member for the 2014 Kansas City FilmFest.
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